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Homer Alvan Rodeheaver (October 4, 1880December 18, 1955) was an American evangelist, music director, music publisher, composer of gospel songs, and pioneer in the recording of sacred music.


Early career

Born in Cinco Hollow, Ohio, he was taken as a child to Jellico in eastern Tennessee and there worked with his father in the lumber mill business. Although he learned the mountain ballads, he preferred Negro spirituals because they emphasized harmony and rhythm and had a "definite religious purpose."[1] Rodeheaver early learned to play the cornet but switched to trombone while attending Ohio Wesleyan College.

In 1898 he left college to serve in the Fourth Tennessee Band during the Spanish-American War. Around 1904 he joined evangelist William E. Biederwolf as music director and then served, from 1910 to 1930, in the same role for Billy Sunday, the most popular evangelist of the period.[2] (Shortly after Billy Sunday's death in 1935, Rodeheaver wrote a memoir of his relationship with the evangelist.)


Music director for Billy Sunday

Rodeheaver—called “Rody” by associates and reporters alike—had a genial, extroverted personality. Although he was not ignorant or unappreciative of classical and traditional sacred music, Rodeheaver enjoyed and promoted lively new gospel songs among Sunday’s congregations. Rodeheaver was a natural showman who could warm his audience with jokes and direct choirs and congregations with his trombone. For instance, he would say that his instrument was a "Methodist trombone" that would occasionally "backslide." Or he'd pull his lips from the mouthpiece and say, "Just imagine! I'm being paid just to do this!"[3] When Lowell Thomas presented Rodeheaver to the New York Advertising Club, Rodeheaver succeeded in getting the advertising agents to sing "Pray the Clouds Away." Will Rogers said, "Rody is the fellow that can make you sing whether you want to or not. I think he has more terrible voices in what was supposed to be unison than any man in the world. Everyone sings for Rody!"[4]

In his prime, Rodeheaver also used his baritone voice to good effect as a soloist and as a participant in ensembles composed of other members of Sunday’s evangelistic team—especially duets with contralto Virginia Asher. During the heyday of the Sunday evangelistic campaigns, Rodeheaver directed the nation’s largest choruses: from a few hundred to as many as two thousand volunteers in Sunday’s various campaigns. To him there was nothing incongruous about having his choirs sing the gospel song "Master, the Tempest is Raging", followed by the Hallelujah Chorus from Handel's Messiah. [5]


Recording career

In 1913 Rodeheaver began recording for the Victor Talking Machine Company, a relationship that lasted for twenty years. He also recorded for Gennett, Columbia and for his own Rainbow Records label. Some of his records, such as "The Unclouded Day" and "The Great Judgement Morning," were so popular that they had to be rerecorded to keep up with demand. Other records featured Rodeheaver's recitations of sentimental poetry, such as Paul Laurence Dunbar's "When Malindy Sings" (1916).

Rodeheaver appeared on at least eighteen record labels and five hundred sides during his recording career. His most recorded piece was Sunday’s theme song "Brighten The Corner Where You Are," a bouncy number of extremely limited theological depth. Rodeheaver recorded it for at least 17 different labels. Rodeheaver’s other most recorded titles were "Mother's Prayers Have Followed Me", "If Your Heart Keeps Right", "The Old Rugged Cross", "Since Jesus Came Into My Heart", "In The Garden", and "My Wonderful Dream". [6]

In 1910, Rodeheaver started his own publishing business, the Rodeheaver Company, compiling gospel songs to sell at revivals. Rodeheaver employed songwriters such as B. D. Ackley and Charles Gabriel to write songs for his company, but he also composed a number of tunes himself, including most notably, “When Jesus Came.” Around 1922, his company began issuing 78-rpm records on its own Rainbow label, the nation's first record company devoted solely to gospel music. In 2007, Rodeheaver was inducted into the Christian Music Hall of Fame.[7]


Personal life

Rodeheaver founded Rainbow Ranch, a boys' orphanage in Palatka, Florida, and visited it often, singing and playing the guitar for the boys. He created and subsidized the Rodeheaver School of Music at the Winona Lake Bible Conference, a two-week-a-summer seminar to stimulate laymen to develop their musical abilities for their local churches. Rodeheaver traveled around the world on mission trips, and at the Dead Sea, while floating in the brine, he played "Brighten the Corner" on his trombone. Introduced to the Moravian custom of an Easter sunrise service, Rodeheaver helped popularize the concept across the United States.

In 1912, Rodeheaver bought an old farm house on “Rainbow Point” at Winona Lake, Indiana and had it rebuilt to look like a ship—including adding a railing around its flat roof.[8] There he entertained hosts of preachers, businessmen, opera singers, and radio personalities, sometimes as many as twenty at a time.

Rodeheaver never married, and his half-sister Ruth and her husband, Jim Thomas, often served as hosts on his behalf. Rodeheaver “loved to be surrounded by women of charm and beauty, and with them his manner was always extremely gallant”.[9] Mary Gaston Jones, the wife of evangelist Bob Jones, Sr., once said of Rodeheaver, “Here comes Homer with his oil can.”[10]

An associate recalled that Rodeheaver was never the same after his favorite trombone was stolen in February 1952.[11] Rodeheaver died of heart failure at Winona Lake, Indiana in 1955, aged 75.



  1. ^ Wilhoit, 4.
  2. ^ Lyle W. Dorsett, Billy Sunday and the Redemption of Urban America (Grand Rapids: William B. Eerdmans Publishing Company, 1991), 1, 93-95.
  3. ^ Wilhoit, 27.
  4. ^ Wilhoit, 31, 55.
  5. ^ Wilhoit, 24.
  6. ^ For a thorough discography, see Bob Olson, "Homer Rodeheaver, Pioneer of Sacred Records."
  7. ^ Christian Music Hall of Fame.
  8. ^ At one point Rodeheaver had a sliding board extending from an upstairs room to the lake so that he could take a morning dip, but he removed it when too many strangers were attracted and even asked to use it themselves. (Wilhoit, xvi, 58.)
  9. ^ Jones, Cornbread and Caviar, 95.
  10. ^ Jones, Cornbread and Caviar, 95.
  11. ^ Wilhoit, 87-88.



  • Bob Jones, Jr., Cornbread and Caviar (Greenville, S.C.: Bob Jones University, 1985).
  • Thomas Henry Porter, "Homer Alvin Rodeheaver, Evangelist, Musician and Publisher" (Ph.D. diss., New Orleans Baptist Seminary, 1981).
  • Homer Rodeheaver, Twenty Years with Billy Sunday (Rodeheaver Hall-Mack Company, 1936).
  • Bert H. Wilhoit, Rody: Memories of Homer Rodeheaver (Greenville, S.C.: Bob Jones University Press, 2000).


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